Black Tennis Pros

WIMBLEDON, England (AP) — Five-time champion Venus Williams recovered from an early stumble in her opening match at Wimbledon on Tuesday to beat Stefanie Voegele of Switzerland 6-3, 6-2.

It was Williams' first appearance on Centre Court since the 2008 final, when she beat sister Serena for her second Wimbledon title in a row.

Venus slipped five points into the match, one of several wobbly moments as she began her bid for a three-peat. She double-faulted in the opening game and had to erase two break points. She was passed the first two times she reached the net. She slipped and nearly fell a second time.

Then Williams found her footing, winning 14 consecutive points to help her take a 5-1 lead. She had another spurt in the second set after losing serve for 2-all, and swept the final four games.

Williams improved to 51-4 at the All England Club since 2000, when she won the title for the first time. She's seeded third but is the tournament favorite with London bookmakers.

The new retractable roof again worked as a deterrent for rain, with dry weather for a second successive day. Play began on a cloudless afternoon, prompting an official on the club's public-address system to urge that fans use sun block.

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Wimbledon's first round saw Frenchman Jo-Wilfried Tsonga defeat Kazakhstan's Andrev Golubev 6-3, 5-7, 7⁷-6⁴, 7⁷-6⁵ on Monday.

Tsonga's next opponent will be Italian Simone Bolelli.

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WIMBLEDON, England (AP) — Serena Williams has advanced to the second round of Wimbledon by beating Neuza Silva of Portugal 6-1, 7-5.

Williams breezed through the first set and then relied on her powerful serve in the second. She did not face a break point in the entire match, only losing nine points on her serve.

Silva sent a shot wide to set up two match points for Williams, who converted the first one when her Portuguese opponent netted a backhand.

Williams is looking for her third Wimbledon title, while the 154th-ranked Silva was making her main draw debut.

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WIMBLEDON, England (AP) — James Blake is finding it tough to pinpoint why he keeps losing matches he thinks he should win.

Once ranked in the top 10, once a fairly regular participant in the second week of major championships, Blake is now on a three-match losing streak at Grand Slam tournaments. The American's latest setback came Monday at Wimbledon, where the 17th-seeded Blake was beaten 7-5, 6-4, 7-6 (5) by 50th-ranked Andreas Seppi of Italy.

"I still feel like I can play with anyone in the world, but it's just, for some reason lately, it's been very inconsistent," Blake said. "I've been doing all the training. I've been doing all the conditioning. I'm fit as I've been. I just haven't been as confident, I guess. Maybe that's just from not winning a lot of matches."

He also bowed out in the first round at the French Open last month, following a fourth-round exit at the Australian Open in January.

There were chances to get back into the match against Seppi. He held one set point in the third, leading 6-5, but missed a forehand long to end a 23-stroke exchange. Blake then took a 5-0 lead in the tiebreaker, before Seppi won the match's last seven points.

"I don't think I've ever done that before," said Seppi, who never has made it past the third round at a Grand Slam tournament. "I didn't think I would win that tiebreaker."

Blake thought he might be ready for a run at Wimbledon after reaching the final at the Queen's Club tuneup tournament on grass.

"I know I still have the ability," said Blake, who reached No. 4 in the rankings in November 2006 and is a three-time major quarterfinalist. "It's just frustrating, because it's happening at big tournaments where I'm having my not-so-good performances."

His best shot is his forehand, but Seppi neutralized that by repeatedly drawing Blake into backhand exchanges.

"Backhand-against-backhand is to my advantage. It's not like his backhand is all that strong," Seppi said. "I played more aggressively than usual, especially on his serve. If you let him take the initiative, especially on his forehand, he's very dangerous."

Not on this day. And not lately on tennis' top stages.

"I've had a lot of success, a lot of wins, but I still want more. That's why it's tough to accept nowadays, because I know I've done that and I know what it feels like to win and to go deep in Slams and to win tournaments, and I just haven't had that feeling lately," said the 29-year-old Blake, who was born in Yonkers, N.Y, and lives in Florida. "I definitely want it back, and I hope I have it enough times before I retire that I won't miss it as much when I retire."

He beat Seppi in their two most recent meetings, but the Italian wasn't intimidated when he found out Blake would be his first-round opponent. Seppi originally was drawn to face No. 5 Juan Martin del Potro, but the bracket was changed after defending champion Rafael Nadal pulled out of the tournament.

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Let me begin by saying that I am very glad to see The Wiz back on Broadway, if only for a short period. I really like Ashanti, who will be playing the fabulous role of Dorothy. She's beautiful and talented and should be able to turn in a great performance. That said, why in the hell is Diana Ross still getting props for her "portrayal" of Dorothy?

The fact that Diana Ross was cast as Dorothy in the film version of The Wiz mystifies me to this day ... oh, wait, no it doesn't. Motown acquired the film rights didn't they? That explains it.

Can the international entertainment superstardom of Ms. Ross be denied? No indeed, and you would never catch me even considering the thought. Ms. Ross has my unyielding respect for the career she has amassed - Stop. Ms. Ross was no Dorothy. I believe the woman was in her early thirties, and though attractive, she did not look like the 'young' woman she was supposed to be portraying.

Although I was particularly peeved that Stephanie Mills had been given the boot from the film, I was even more bitterly disappointed when I saw the movie. Karma is a bankable currency and those who thought placing Ross in the role of Dorothy found that out - right in the pocket. Shame on them all these years later for dismissing Mills for what they thought would be a box office bonanza.

The Dorothy that should be getting some residual love off of this new production is none other than the originator of the role, Stephanie Mills. Anyone that has ever sat in a theater seat and heard that big voice come out of such a petite woman would never forget it. I have NEVER heard anyone sing "Home" like Mills, or turn in a better performance than her in this role. Ignoring the life that Mills breathed into Dorothy simply to keep Ross elevated for her lukewarm attempt is just ridiculous.

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