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BLACK HISTORY MONTH: Black Tennis - A Historical Perspective By Bob Davis
Thursday, February 28, 2019
This Black History Month perspective is a three-part article written by Bob Davis whom you will meet, and on some level come to know, through the words of his writing. Each of the three parts are available in this post.
At a time when Bob was a contributing editor for Tennis Life Magazine , he wrote this perspective that frankly, engagingly and historically captures the contributions, successes and struggles of Black tennis players and coaches in the world of tennis; it is still on point today.
It is always a true honor and pleasure to share the depth of historical knowledge and perspective that comes second nature to Bob. Without question I know that you will find it a must read also.
Years ago Bob was referred to me by his brother, Bill Davis, whose story is one of the most read posts here.
It is Bob's intention, along with others such as Arthur Carrington of Art Carrington Tennis Academy and Dale G. Caldwell of Black Tennis Hall of Fame to accurately preserve and present the history of Blacks in tennis. You will be able to see examples of what these gentlemen are doing to make this happen.
Bob stated to me that "The players today need to have an appreciation for the the likes of players such as Billy Davis and George Stewart and the people that pioneered the Black tennis world when we were not allowed to play USTA tournaments. Therein lay the value of The ATA (American Tennis Association), our only way to play tennis competitively."
In recounting some of the racial struggles that he, Arthur Ashe and other players endured as they entered the tennis world he said, "Something in me wishes all of these young players understood that it took that kind of perseverance, and that kind of exposure to enable them to just walk out there and send in an entry fee."
I was so captivated with my conversation with Bob that I could go on with those words and the offering would hold just as much interest. However, I will stop here and let you read his experiences and thoughts as presented in his perspective.
SYMBOLS OF CHANGE
MINORITY TENNIS – A HISTORICAL PERSPECTIVE
PART I
THE BEGINNING
THE BEGINNING
Blacks began to surface on tennis courts in about 1890 at Tuskegee Institute. Booker T. Washington, one of America’s great, black visionaries and leaders, founded Tuskegee. In his famous Atlanta Address of 1895, Booker T. Washington set forth the motivating spirit behind Tuskegee Institute. In a post Reconstruction era marked by growing segregation and disfranchisement of blacks, this spirit was based on what realistically might be achieved in that time and place. "The opportunity to earn a dollar in a factory just now," he observed, "is worth infinitely more than the opportunity to spend a dollar in an opera house." Because of Washington's extraordinary ability to work within the system and to maximize the possible, Tuskegee flourished to the extent only dreamed about when he met his first students on July 4, 1881.
By 1898, Blacks began to have inter-club matches with rival black clubs in New York, Philadelphia and a variety of other eastern seaboard cities. These inter-club rivalries were primarily networking opportunities; occasions for the black, college-graduated elite to commune with their colleagues from other cities. This group of clubs eventually grew in number until an organizational structure was needed. In 1916, the American Tennis Association (ATA) was created as the governing body of Black tennis in America. In the fifty years since slavery was abolished, 80% of the Black population became educated. Nearly 4 million people came out of slavery as legislated illiterates and by 1915, an elite middle-class had been formed. By today’s standards, this is a phenomenal accomplishment. When one considers the growing rate of illiteracy across America, illiteracy that transcends racial lines, we should look at this statistic with awe and wonder!
In any event, it was this continuing attitude of separation that caused a group of black professionals to form the American Tennis Association (ATA) in 1916. The primary mission of the ATA was the formation of a circuit of black clubs and tournaments across the country. This new organization permitted the black elite to travel from city to city, network amongst their peers and enjoy the game of tennis. These separate but unequal tennis societies continued without conflict for nearly 25 years. While blacks enjoyed the social and the networking opportunities provided by the ATA, the USLTA enjoyed the pristine, private, country club environment that offered the same opportunities to it’s constituency.
In many ways, this elite Black society was born of necessity. Blacks were determined to do for themselves what the segregated governing society refused to do for them. Significantly, these elite middle-class Blacks were graduates of Black colleges and universities and were educated in the Arts and Sciences. They became doctors, lawyers and educators and, because there was no access to professional sports at that time, went to college to develop the foundations for lifetime careers.

PART II
THE EMERGENCE OF A BLACK CHAMPION
THE EMERGENCE OF A BLACK CHAMPION
Role models within black communities were also easy to find during the forty’s and fifty’s. Segregation prevented successful Blacks from moving into the white, suburban communities, so “inner-city” children resided alongside doctors, lawyers and other legitimate businesspeople. Bandleader Duke Ellington, lightweight boxing champion Beau Jack, New York Giants baseball player Hank Thompson and other world-class entertainers lived within one block of my family’s New York City apartment.

In 1946, a crude, street-tough, 19 year-old named Althea Gibson attracted the attention of two physicians, Dr. Hubert Eaton and Dr. R. Walter Johnson. An arrogant teenager, Althea lost in the finals of the ATA Women’s National Championships but her strength and athletic prowess was undeniable. She won the junior national titles in 1944 & 1945 and now, in her first year playing in the adult division, immediately became a serious challenge to the best ATA women players. By 1949, more than 30 years after the formation of the ATA, Althea began to challenge the collective

The recognition that she received would pressure the USLTA to accept her entries into the Eastern Indoors and the National Indoors in 1949. She reached the quarterfinals of both events and now hoped to play the grass court circuit that led up to the USLTA National Championships at Forest Hills, New York. (In the pre-U.S. Open era, the U.S. National Championships were held on grass courts not far from today’s National Tennis Center in Flushing Meadows). But, the USLTA had not yet decided if it would allow this “colored” woman to be the first of her race to play in America’s most prestigious tournament.
Racial prejudice, to many people of color, is a very confusing experience. Many people wondered how Pancho Segura, a man of color from Guayaquil, Equador, stricken with Rickets during childhood, was so easily welcomed into this lily-white environment. He was considerably darker in color than Althea, yet his acceptance never questioned. His bout with rickets caused his legs to be severely bowed and he was quite pigeon-toed. In fact, Billy Talbert and Segura, ranked number one and three in America respectively, represented the USLTA in an exhibition in Harlem in 1945. Talbert disposed of Jimmy McDaniels 6-2, 6-1, while Pancho beat Lloyd Scott, 6-2, 6-2. Pancho thrilled the Cosmopolitan crowds with his two fisted (baseball-like) style. In spite of his infirmities, Pancho was quite a good player. His earliest success came as a student at the University of Miami, where he won the NCAA singles championships three times in a row (from 1943 to 1945), a feat not matched in the twentieth century. I mention this only as a point of interest because Althea held no animosity towards Pancho; or anyone else for that matter. His unconditional acceptance into the white, inner-circle, indeed his affiliation with the USLTA was, and remains, somewhat of a curiosity.
Now, a nearly two decades after Don Budge stood his ground and broke with tradition, one of America’s finest women players would stand up for Althea. Alice Marble, one of the finest white players in America would challenge the administration to allow her to compete. She wrote an impassioned letter to the American Lawn Tennis Magazine in 1950 that was primarily responsible for Althea’s ability to play in and win Wimbledon and the U.S. National Titles in 1957 & 58.
This letter, given the time, context and author eloquently exposed the prejudice more clearly as anything before or since.
The letter read:
“On my current lecture tours, the question I am most frequently expected to answer is no longer: What do you think of Gussie’s panties? For every individual who still cares whether Gussie Moran has lace on her drawers, there are three who want to know if Althea Gibson will be permitted to play in the Nationals this year. Not being privy to the sentiments of the USLTA committee, I couldn’t answer their questions, but I came back to New York determined to find out. When I directed the question at a committee member of long standing, his answer, tacitly given, was in the negative. Unless something within the realm of the supernatural occurs, Miss Gibson will not be permitted to play in the Nationals.
He said nothing of the sort, of course. The attitude of the committee will be that Miss Gibson has not sufficiently proven herself. True enough, she was a finalist in the National Indoors, the gentleman admitted – but didn’t I think the field was awfully poor? I did not. It is my opinion that Miss Gibson performed beautifully under the circumstances. Considering how little play she has had in top competition, her win over a seasoned veteran like Midge Buck seems to me a real triumph. Nevertheless the committee, according to this member, insists that in order to qualify for the Nationals, Miss Gibson must also make a strong showing in the major eastern tournaments to be played between now and the date set for the big do at Forest Hills. Most of these major tournaments – Orange, East Hampton, Essex, etc, - are invitational, of course. If she is not invited to participate in them, as my committee member freely predicted, then she obviously will not be able to prove anything at all, and it will be the reluctant duty of the committee to reject her entry at Forest Hills. Miss Gibson is over a very cunningly wrought barrel, and I can only hope to loosen a few of its staves with one lone opinion.
I think it’s time we faced a few facts. If tennis is a game for ladies and gentlemen, it’s also time we acted a little more like gentle people and less like sanctimonious hypocrites. If there is anything left in the name of sportsmanship, it’s more than time f\to display what it means to us. If Althea Gibson represents a challenge to the present crop of women players, it’s only fair that they should meet that challenge on the courts, where tennis is played. I know those girls, and I can’t think of one who would refuse to meet Miss Gibson in competition. She might be soundly beaten for a while – but she has a much better chance on the courts than in the inner sanctum of the committee, where a different kind of game is played.” In closing, Miss Marble wrote: “I am beating no drums for Miss Gibson as a player of outstanding quality. As I said, I have seen her only in the National Indoors, where she obviously did play her best and was still able to display some lovely shots. To me, she is a fellow tennis player and, as such, deserving of the chance I had to prove myself. I’ve never met Miss Gibson but, to me, she is a fellow human being to whom equal privileges ought to be extended. Speaking for myself, I will be glad to help Althea Gibson in any way I can. If I can improve her game or merely give her the benefit of my own experiences, as I have many other young players, I’ll do that. If I can give her an iota more of confidence by rooting my heart out from the gallery, she can take my ford for it: I’ll be there.”
This impassioned letter was singularly responsible for Althea’s acceptance into several qualifying tournaments and for her admittance into the 1950 U.S Nationals. Althea easily won her first


PART III
THE THIRD GENERATION

After civil rights legislation was enacted in 1964, history would show that the black elite moved to exclusive, suburban communities. Some people believe that this suburban exodus was the beginning of the decline in the growth of black tennis as well as a slowing of the positive growth in the black community. Others believe that the ability to live beside and emulate positive role models, along with the forced creation of a homogeneous community, were positive aspects of segregation. Black businessmen, both legitimate and otherwise, were guaranteed to be successful - as a direct result of segregation. Any Black that opened a grocery store, produce stand or repair store was certain to capture the business of the local constituency, because those customers were not permitted to patronize white-owned stores. This environment provided fertile ground for entrepreneurs; legitimate businessmen and hustlers alike.
It is into this era that Arthur Ashe emerged as a standout tennis player. In some ways, Arthur was a most unlikely role model and world champion. He was slender, almost frail looking. He was mild-mannered; always appearing to be passive, unemotional and reserved. Did he possess the strength, focus and determination to overcome the alienation of segregation, along with the rejection and degradation that was sure to be in his future? Wouldn’t someone from the north - someone with a more aggressive personality - someone who would defy the system have a better chance to overcome the odds? History would show that Arthur was the perfect candidate. He was simply better than the rest of us. He was a likeable young man and if you were not a hard-core racist, you would find Arthur friendly, personable and non-confrontational. Even in his memoirs, “Days of Grace”, one can sense his absence of anger. Concerning his inability to play tournament tennis in his hometown of Richmond, Virginia, Arthur said: “I remember the kindly white tennis official, Sam Woods, who would not allow me to play in municipal tournaments in Richmond, and all the other not-so-kindly officials who barred my way so that I finally played in only one official tennis tournament while I was a junior in Virginia.”
His success as a Davis Cup player and his U.S. Open and Wimbledon titles are legendary. But, his recognition at tennis became the tool that he would use to challenge society to end the racial injustice that plagued the planet. He made several trips to South Africa (against the wishes of many Black leaders in America) to pressure the government to end apartheid. He marched on Washington in support of the fair treatment of Haitian refugees. His life was dedicated to the elevation of his people. He focused a great deal of his attention on education. He encouraged youngsters to become doctors and lawyers. He wanted youngsters to attend and graduate from college instead of putting all of their energy into athletics. He realized that less than 1% of varsity athletes ever signed a professional sports contract. At the same time, he made many attempts to create a system that produced a pipeline of young black players that could use tennis as a vehicle to take them to college. One such program was a collaboration with Nick Bollettieri. The Ashe-Bollettieri “Cities” Tennis Program (ABC) taught tennis to more than 10,000 children. The program attempted to impress upon them the value of preventive health education and the importance of staying in school. Hundreds from this program (which later became the Arthur Ashe Safe Passage Foundation) went on to college on either academic or athletic scholarships. It was one of the programs that made Arthur most proud. Before Arthur died, he got a glimpse of Venus and Serena Williams, two young girls that would, for a short time, take over the reins of leadership after his voice was silenced. But, Arthur would not live to see the emergence of James Blake. James possessed many qualities that would enamor him to the tennis community at large. He is handsome, articulate and Harvard University educated. More importantly, he is thoughtful, non-confrontational and non-threatening. James, if he is so inclined, will be the heir-apparent to Arthur’s throne; the voice of Black tennis. Because, you see, like Arthur, the voice of James Blake is the only one that is likely to resonate with the powers that be.
Read the rest of this post...........
Posted by Shelia at 4:25 AM Labels: Althea Gibson, Art Carrington, Art Carrington Tennis Academy, Arthur Ashe, Bill Davis, Black History Month, Bob Davis, NAACP, Reginald Weir, Tennis Life Magazine, USLTA Email this post
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